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Learn more about Bing search results hereOrganizing and summarizing search results for youHere are the key differences between parallel and contrasting phrases in music:- Parallel Phrases: Both phrases begin with similar or identical melodic material.
- Contrasting Phrases: The phrases begin with different, unrelated melodic material.
- Thematic Similarity: In parallel periods, the antecedent and consequent phrases are thematically similar, while in contrasting periods, they differ.
These distinctions help in understanding how musical phrases can relate to each other in composition.
4 Sources The Period - University of Puget Sound
Periods are labeled as “parallel” or “contrasting” based on the melodic material. In a parallel period, the melodies in both phrases begin similarly. In a contrasting period, the phrases begin differently.
Summary of Phrases in Combination - University of Puget Sound
13.3.4 Parallel and Contrasting Periods. 13.3.5 Repeated Phrase. 13.4 The Asymmetrical Period. 13.5 The Double Period. 13.5.1 Repeated Period. 13.6 Phrase Groups and Phrase Chains. …
Phrase Groups and Phrase Chains - University of Puget Sound
In phrase groups and phrase chains, the final cadence is a half cadence. A phrase group consists of at least two phrases whose melodies begin similarly and has the final phrase ending in a …
Phrase - University of Puget Sound
While four- and eight-measure phrases are the most common, you will also encounter phrases that are five, six, and seven measures in length. Less commonly, you will encounter three-measure phrases. Here are examples of …
Creating Contrast Between Sections - University of Puget Sound
In this chapter, we will explore how a composer or arranger can create contrast between different sections in a piece of music.
Music Theory for the 21st-Century Classroom - University of …
13.3.4 Parallel and Contrasting Periods. 13.3.5 Repeated Phrase. 13.4 The Asymmetrical Period. 13.5 The Double Period. 13.5.1 Repeated Period. 13.6 Phrase Groups and Phrase Chains. …
Practice Exercises - University of Puget Sound
Name the form of the excerpt (sentence, parallel period, contrasting period, asymmetrical period, parallel double period, repeated phrase, repeated period).
Melodic Analysis - University of Puget Sound
We will divide analysis of melodies into motives (which can be broken into fragments) and phrases (which can be broken into subphrases) in order to understand the construction of …
Practice Exercises - University of Puget Sound
For the piece above, complete the following diagram based on your analysis. Include section labels using uppercase letters, phrase labels using lowercase letters, and cadences using the …
Melodic Alteration - University of Puget Sound
Diminution is the opposite of augmentation and usually refers to the exact halving of the duration of every rhythmic value in a motive or phrase. However, diminution can also refer to the use of …
The Double Period - University of Puget Sound
The melodic scheme of abab’ (four phrases) is commonly encountered in a double period. A double period with this melodic scheme would be described as a “parallel double period” …
The Sentence - University of Puget Sound
A sentence in music is a phrase with a specific melodic construction: a melodic idea (motive 1 or subphrase a) is either repeated or sequenced then followed by either related or unrelated …
Fragment - University of Puget Sound
13.3.4 Parallel and Contrasting Periods. 13.3.5 Repeated Phrase. 13.4 The Asymmetrical Period. 13.5 The Double Period. 13.5.1 Repeated Period. 13.6 Phrase Groups and Phrase Chains. …
Rounded Binary - University of Puget Sound
In a rounded binary form, the material at the beginning of the first section returns, often shortened, after a contrasting phrase at the beginning of the second section. A generic phrase diagram of …
AABA Form - University of Puget Sound
Each section (A or B) is typically 8 measures long. The A sections contain the primary melody we associate with the song while the B section provides contrast and is often called the “bridge” or …
Cadences - University of Puget Sound
Authentic Cadence (AC): a phrase ending with the chords \(\left.\text{V}\right.\) – \(\left.\text{I}\right.\) Plagal Cadence (PC): a phrase ending with the chords …
The Four Structural Functions in Music - University of Puget Sound
Music of transitional function moves from one tonal center to another and often features a contrasting accompanimental texture more rhythmically active than preceding expository …
Lead-Sheet Symbols - University of Puget Sound
13.3.4 Parallel and Contrasting Periods. 13.3.5 Repeated Phrase. ... 13.5.1 Repeated Period. 13.6 Phrase Groups and Phrase Chains. 13.7 The Elision. 13.8 Summary of Phrases in …
Objectionable Parallels - University of Puget Sound
In the Renaissance, Baroque, Classical, and Romantic eras, these objectional parallels were thought to destroy the independence of the voices. Parallel 3rds, 4ths, and 6ths were …
Related searches for site:musictheory.pugetsound.edu parallel vs …