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The Period - University of Puget Sound
Periods are labeled as “parallel” or “contrasting” based on the melodic material. In a parallel period, the melodies in both phrases begin similarly. In a contrasting period, the phrases begin differently.
Summary of Phrases in Combination - University of Puget Sound
13.3.4 Parallel and Contrasting Periods. 13.3.5 Repeated Phrase. 13.4 The Asymmetrical Period. 13.5 The Double Period. 13.5.1 Repeated Period. 13.6 Phrase Groups and Phrase Chains. …
Phrase Groups and Phrase Chains - University of Puget Sound
In phrase groups and phrase chains, the final cadence is a half cadence. A phrase group consists of at least two phrases whose melodies begin similarly and has the final phrase ending in a …
Phrase - University of Puget Sound
While four- and eight-measure phrases are the most common, you will also encounter phrases that are five, six, and seven measures in length. Less commonly, you will encounter three-measure phrases. Here are examples of …
Practice Exercises - University of Puget Sound
Name the form of the excerpt (sentence, parallel period, contrasting period, asymmetrical period, parallel double period, repeated phrase, repeated period).
Phrase Groups and Phase Chains - University of …
In phrase groups and phrase chains, the final cadence is a half cadence. A phrase group consists of at least two phrases whose melodies begin similarly and has the final phrase ending in a half cadence.
The Sentence - University of Puget Sound
A sentence in music is a phrase with a specific melodic construction: a melodic idea (motive 1 or subphrase a) is either repeated or sequenced then followed by either related or unrelated material leading to a cadence.
Music Theory for the 21st-Century Classroom - University of …
13.3.4 Parallel and Contrasting Periods. 13.3.5 Repeated Phrase. 13.4 The Asymmetrical Period. 13.5 The Double Period. 13.5.1 Repeated Period. 13.6 Phrase Groups and Phrase Chains. …
The Double Period - University of Puget Sound
The melodic scheme of abab’ (four phrases) is commonly encountered in a double period. A double period with this melodic scheme would be described as a “parallel double period” …
The Four Structural Functions in Music - University of Puget Sound
Music of transitional function moves from one tonal center to another and often features a contrasting accompanimental texture more rhythmically active than preceding expository …
Impressionism - University of Puget Sound
In contrast to the prohibition against parallel fifths and octaves in traditional voice leading, both Debussy and Ravel would take a chord voicing and move all voices in parallel motion.
Cadences - University of Puget Sound
Authentic Cadence (AC): a phrase ending with the chords \(\left.\text{V}\right.\) – \(\left.\text{I}\right.\) Plagal Cadence (PC): a phrase ending with the chords …
AABA Form - University of Puget Sound
Each section (A or B) is typically 8 measures long. The A sections contain the primary melody we associate with the song while the B section provides contrast and is often called the “bridge” or …
Creating Contrast Between Sections - University of Puget Sound
In this chapter, we will explore how a composer or arranger can create contrast between different sections in a piece of music.
Rounded Binary - University of Puget Sound
In a rounded binary form, the material at the beginning of the first section returns, often shortened, after a contrasting phrase at the beginning of the second section. A generic phrase diagram of …
Species Counterpoint - University of Puget Sound
13.3.4 Parallel and Contrasting Periods. 13.3.5 Repeated Phrase. 13.4 The Asymmetrical Period. 13.5 The Double Period. 13.5.1 Repeated Period. 13.6 Phrase Groups and Phrase Chains. …
Rounded Binary - University of Puget Sound
In a rounded binary form, the material at the beginning of the first section returns, often shortened, after a contrasting phrase at the beginning of the second section. A generic phrase diagram of …
Verse-Chorus Form - University of Puget Sound
There are “simple” and “contrasting” verse-chorus forms. A simple verse-chorus form has the same harmonic progression for the verse and chorus (e.g., “ All About That Bass 1 ”). The …
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