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  1. The royalties we pay for a performance of our members’ music are divided evenly between the writers and publishers. When you’re registering music with ASCAP, make sure that all of the writer splits add up to 50%, and all of the publisher splits add up to 50%, for a total of 100%.
    www.ascap.com/help/registering-your-music/Splitsville
    www.ascap.com/help/registering-your-music/Splitsville
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    You can find ASCAP royalty information in your Member Access account, or on the ASCAP mobile app. Your Member Access account also has an Interactive Earnings page, with granular detail on how much you’re earning and where …

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    Apr 16, 2019 · When it comes to publishing, each songwriter must register their own splits with their publishing entities. This includes their PRO (ASCAP, BMI, PRS, SOCAN, SESAC, etc) and it includes their own publishing company or …

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    Nov 7, 2016 · The good news is that ASCAP, BMI and SESAC all have international agreements with performance rights societies outside of the U.S. Due of these reciprocal agreements, members receive royalties from foreign …

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  12. Song Royalty Ownership: Writer's Share vs …

    May 16, 2019 · While performance royalties are typically split into two equal halves — a writer’s share and a publisher’s share — mechanical royalties only generate a publisher’s share. The following diagram shows this breakdown in …

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